"I've gotten many letters from teachers thanking us," said Baccei. Still, letters from viewers show people are doing more with stereograms than just having fun. To me, it is immoral to sell it with that on it." "When people ask if there is any practical application, I say, 'None that I know of.' New Age sorts are selling this as some brain massage, increase your IQ, lose weight, get the girl of your choice. The weekly column, syndicated by Universal Press, is introduced by character Wizzy Nodwig, whose name is a play on the phrase "Wizzy Wig," which in computer language means "What you see is what you get." In the "Magic Eye" pictures, "what you see is not what you get," said Baccei.īaccei said he is amazed that he was the first to see the commercial potential for stereographic images, but he said few believed that enough people would be able to learn the trick to seeing 3-D.īaccei is hesitant to promote "Magic Eye" as anything but entertainment. A video has been released and a television show is under discussion. "Magic Eye II" was released last month, and posters, poster books and licensing deals for everything from coffee mugs to T-shirts have followed. The book was a bestseller and led to the publication of "Magic Eye" in October in the United States by Andrews and McMeel. They gave him the support to publish the first "Magic Eye" book in Japan in 1992. He was right.Īdvertisements for the products caught the attention of some Japanese businessmen. The response to the ad made Baccei think that people might buy calendars or posters with stereographic images. When you know how to look at it right, it jumps right out at you." Finding the number in this picture is like finding the bug in your program. The ad included a primitive random dot stereogram with the text: "Pentica loves puzzles. In the late 1980s, while he was running a business to help people work out bugs in their computer systems, Baccei decided to use a stereogram in an advertisement. "After three years of doing this, I've got greased eyeballs."īaccei has long known about stereograms because of his interest in psychology and technology, but his role as a stereographic entrepreneur came by accident. People who are relaxed and patient and open to suggestion might have an easier time than high-strung people who are very set in their ways.īaccei said he is so attuned to the visual trick that he can spot stereographic detail with a glance. For example, he said, people who are strongly oriented to surface detail might have more difficulty. The process is happening in the brain."īaccei said that barring medical problems, there is no reason why a person shouldn't be able to see the 3-D, but ability varies depending on a person's temperament, or the way they look at the world. "It's not happening on the page the page stays the same. "It is really like watching your own brain function and that really is the fascinating thing," said Baccei. Stereoscopes, for example, are designed to trick your brain into perceiving depth when left eye images interact with right eye images. Our brains fuse the two pictures into a three-dimensional representation. Human beings see the world through two eyes, each of which has a different viewing angle. The technology is based on an understanding of how we see. And what more engaging graphical form has come out in the last 20 years than these things?" said Baccei. What art is supposed to do is engage the viewer. "I believe we are working on the ground floor of a new art form. In 1979, psychologist and researcher Christopher Tyler merged the dual images of Julesz's stereograms into a single picture, creating a random dot stereogram that could be seen more easily.īaccei and others have refined and expanded the random dot stereogram to make ever more clear and visually stimulating images appear in arrangements of millions of dots. Julesz's stereograms were made with two images that appeared to become one, but they were not easily deciphered. In 1959, he created the random-dot stereogram, in which dots are arranged in a meaningful way on a flat surface. Bela Julesz, a former psychologist and researcher for AT&T Bell Laboratories, is credited with taking stereoscopic expression into a new age when he used computer technology to make stereograms visible to the naked eye.
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